CAheVA
Self-taught painter
Birth date: January 22nd 1973
Fixations: The human existence in its future objective projections.
Gender: Figurative without pretension of any current.
Techniques: Mixed and preferred oil.
Where he don’t want to go: To the academy and the places where the models are public, indeed he doesn’t like the woman’s who practice the sport of “artistic” modeling, included those who contract them.
Where he want to go:
There where he doesn’t know with clarity what’s there. He is fan of to the particular sessions with women who in addition to being painted, are enjoyed in all their senses and of course, that they are not workers of the modeling, but normal people, preferred humans. Almost always paints without models.
Esthetic Preference:
The nakedness, the extreme skinniness and the exaggeration of the height of the human body. The neglected vague paint daubs, the painting to be watched over two meters. The harmonic coloration and funny contrasts. The symbols that allow the spectator, to read in the picture to take things in traumatic quality and to make him have nightmares (although when he paints, doesn't think about the spectator). To make pictures that elevates their playful capacity. To portray the human psychology, more than its aesthetic one.
Favorite painters:
Picasso, Boticcelli, Delacroux, Magrite, Goya, Van Gogh, Giger and Enrique Guzman, among others.
Influences:
The nature and the against-nature, the reality and the dreams.
Exhibitions:
Coffee “La Tertulia”. Col. San Rafael, Mexico, D.F 2003 and 2004,
Work of 2000 and 2001
Coffee “Alcázar”, Xochimilco, D.F. 2003
Work of 2000 y 2001
Publications:
Illustrator of the magazine “Generación”, 2001
Cover of the magazine "Unión-Poetica" and internal illustrations 2001
Cover of the magazine "Unión-Poetica" and internal illustrations 2003
Cover of the magazine “Causa común por México” 2006
Objetives:
To promote his work in galleries, exhibitions and museums, obtain support to be able to develop pictorially the hundreds of stored sketches.
Mexico
